This essay was submitted in 2012 as part of The University of Birmingham's Essay Competition.
An
intrinsic part of human nature is the need to define and be defined. Similarly
embedded in us are our senses of pride and vanity, so there is little
hesitation to label the last century as ‘the heroic age of physical science’.
It is reasonable to want to embrace science and attach this epithet to
ourselves because, in terms of efficacy, the expansion of science has had a far
more positive influence on humanity in the last hundred years than what its
predecessor of social instruction, religion, had in millennia. The comfortable
and longer lives that we live can be attributed to the developments within
science, and so there is a logical compulsion to be grateful towards it. However
the upward trend of science’s authority in society has led to the assumption
that art’s role is receding.
The
dichotomy between art and science is accepted without question and is being
enhanced by institutions rather than appeased. C.P. Snow postulated that the
segregation of science and the humanities is ingrained in our minds from a
young age by an education system which nurtures the idea of specialisation
towards one or the other. Today, fifty years after Snow cautioned us of the
damaging consequences that the bifurcation of knowledge could have, not only
have the arts and sciences become foreign to one another in the eyes of a
nation, but science has gained the endorsement of the state whilst the arts
have been reduced to a mere frivolity. A catalogue of events has ushered science
into a central position of society with the welcoming arm of government, whilst
the arts are pushed out in the same swift movement. Funding to the arts and
humanities in universities has been phased out, whilst the proposed English
Baccalaureate detered schools, and by proxy their pupils, from pursuing an
education in the arts. At the same time, maths and science have retained their funding,
and had their status as an essential component of the future solidified by the
amalgamation of science and universities under the same ministerial position.
Only through vigorous campaigning were these changes put on the shelf; however
it is a clear indication of the arts’ valuation.
However
the belief that science and the arts are diametrically opposed is a fallacy.
They share a core principal which is too often overlooked; they both search for
truth. We, humans, need to define and ourselves be defined, and both artist and
scientist seek to do this. Arguably the difference in these two cultures is
nothing more than a variation in medium. The plays of Samuel Beckett share the
same inquisitiveness towards the existence of man as the research at CERN, the
art of André Breton can offer insight into the human psyche just as the work of
Freud can, the words of Friedrich Nietzsche have shaped our world just as much
as the work of Charles Darwin. We yearn ‘to know’, but this need for certainty
which unites art and science also separates it. Art expresses a subjective
truth, whilst science states an objective truth.
Science’s
objective truth has more perceptible applications in the world, and thus can be
valued quantifiably with greater ease than art can, specifically its monetary
value. This is why art is seen as secondary to science, and why in times of
austerity it becomes expendable. But just because art’s value is subject to the
individual does not mean to say that it is worthless, nor has value only to
those who are literate in the arts. Art is an expression; of a person, of a
country, of a culture. It can connect complete strangers with one another. It
can connect those who are living to those who are dead. Libraries and museums
are not repositories of objects, but a wealth of human experiences, all of
which we can expose ourselves to, and for a brief moment imagine what life was
like for somebody else who existed on this planet. This is the value which one
can place on subjective truth, and which can help define us all. Through art we
can define ourselves as individuals. Whilst this value isn’t as easily
transferred as money, through education it is possible.
The
dominance of science in our time means art has to adapt, because if we are a
scientific culture then we accept it and represent this in art, to know who we
are. Carl Sagan said, ‘We're made of
star-stuff. We are a way for the cosmos to know itself.’ It is through
science that we are able to know this, and it is through art that we are able
to appreciate this.
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